Centre Pompidou-Metz, April 3 – September 28, 2026
Mennour, Paris, April 9 – May 30, 2026 // Details soon
Mennour, Paris, April 9 – May 30, 2026 // Details soon
Château de Montsoreau, April 11, 2026 – January 4, 2027 // Details soon
Musée d’Art et d’Histoire, Cholet, April 30, 2026 // Details soon
Musée d’Art, Nantes, April 30 – September 1, 2026 // Details soon
Grand Palais, Paris, May 4 – December 1, 2026 // Details soon
Musée des Beaux-Arts, Rennes, May 5 – August 31, 2026// Details soon
Frac des Pays de la Loire, Hellcity, Clisson, May – September // Details soon
Espace de l’Art Concret, Mouans-Sartoux, June 5 – November 22, 2026
Chateau de Versailles, June 30 – November 1, 2026
Musée d’Art et d’Histoire, Cholet, September 19, 2026 – February 28, 2027 // Details soon
[mac] Musée d’Art Contemporain, Marseille, September 19, 2026 – September 27, 2027 // Details soon
École nationale supérieure d’art de Bourges, September 19, 2026 // Details soon
Musée des Beaux-Arts, Caen, September 19 – December, 2026 // Details soon
Musée des Beaux-Arts, Angers, September – December, 2026 // Details soon
Galerie de l’Hôtel de Ville, Chinon, October 3 – December 6, 2026 // Details soon
Villa Médicis, Rome, October 8, 2026 – January 15, 2027 // Details soon
Musée de Grenoble, October 9, 2026 – January 17, 2027 // Details soon
Cité de l’architecture et du patrimoine, Paris, October 16, 2026 – January 3, 2027
MAC VAL, Vitry-sur-Seine, November 12, 2026 – February 7, 2027 // Details soon
Musée national Fernand Léger, Biot, November 21, 2026 – April 26, 2027 // Details soon
Musée du Louvre, Paris, December 2026 // Details soon
Centre Pompidou Francilien – fabrique de l’art, Massy, Spring 2027 // Details soon
François Morellet
François Morellet (1926 – 2016), a prolific, self-taught artist, developed a radical approach to geometric abstraction in his paintings, sculptures and installations over a career spanning more than six decades.
« For about the past twenty years, I have obstinately produced systematic works with the constant directive of reducing to the minimum my own arbitrary decisions. In order to set a limit on my sensitivity as an « Artist », I have eliminated composition. I have also removed all interest attaching to the execution of the work, and I have rigorously applied simple and obvious systems, activated through chance or the participation of the viewer, that could develop productively. »
